Skip to main content
Komar and Melamid: A Lesson in History
Saturday, February 11, 2023 - Sunday, July 16, 2023
Voorhees Gallery and Dodge Wing Lower Level
The exhibition is a retrospective of two Russian-American artists Vitaly Komar and Alexander Melamid, critics of totalitarianism behind the Iron Curtain who worked together from 1972 to 2003.
Komar and Melamid emerged from the circle of Soviet nonconformist artists who rejected the Soviet government’s dictate that limited artists to the propaganda-based style of Socialist Realism. Komar and Melamid were among the founders of Sots Art, which employed a provocative and ironic manner to expose the absurdities of the official art—and of the regime as a whole. Much like American Pop Art’s reaction to the overproduction of consumer goods, Sots Art was a reaction to the overproduction of ideology that rendered Communist slogans and symbols nonsensical.
After immigrating to the United States in 1978, Komar and Melamid applied their well-honed artistic practices to production in the American art market and enriched its contemporary art scene. By addressing historical, social, and political issues, they shed light on topics that recently have become extraordinarily relevant again. These include the functioning of personal freedoms in a totalitarian state, social and environmental issues, and the expression of political differences through the language of art. Their work provides an important cross-cultural link in the current international climate.
The exhibition includes installations, paintings, prints, and artifacts from the museum’s renowned Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union, augmented by loans from distinguished national and international institutions and archives (Tate Modern and Centre Pompidou among them) as well as major private collections, making it possible for visitors to experience works that are rarely exhibited for the public.
Organized by Julia Tulovsky, Ph.D., Curator of Russian and Soviet Nonconformist Art
Some works that appeared in this exhibition were loans to the Zimmerli and therefore do not appear on this website.
The exhibition is a retrospective of two Russian-American artists Vitaly Komar and Alexander Melamid, critics of totalitarianism behind the Iron Curtain who worked together from 1972 to 2003.
Komar and Melamid emerged from the circle of Soviet nonconformist artists who rejected the Soviet government’s dictate that limited artists to the propaganda-based style of Socialist Realism. Komar and Melamid were among the founders of Sots Art, which employed a provocative and ironic manner to expose the absurdities of the official art—and of the regime as a whole. Much like American Pop Art’s reaction to the overproduction of consumer goods, Sots Art was a reaction to the overproduction of ideology that rendered Communist slogans and symbols nonsensical.
After immigrating to the United States in 1978, Komar and Melamid applied their well-honed artistic practices to production in the American art market and enriched its contemporary art scene. By addressing historical, social, and political issues, they shed light on topics that recently have become extraordinarily relevant again. These include the functioning of personal freedoms in a totalitarian state, social and environmental issues, and the expression of political differences through the language of art. Their work provides an important cross-cultural link in the current international climate.
The exhibition includes installations, paintings, prints, and artifacts from the museum’s renowned Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union, augmented by loans from distinguished national and international institutions and archives (Tate Modern and Centre Pompidou among them) as well as major private collections, making it possible for visitors to experience works that are rarely exhibited for the public.
Organized by Julia Tulovsky, Ph.D., Curator of Russian and Soviet Nonconformist Art
Some works that appeared in this exhibition were loans to the Zimmerli and therefore do not appear on this website.
Wednesday, September 13, 2023 - Sunday, February 4, 2024
Tuesday, September 06, 2016 - Saturday, December 31, 2016
Saturday, February 11, 2023 - Sunday, July 16, 2023
Saturday, January 26, 2013 - Tuesday, December 31, 2013
Saturday, March 3, 2018 - Sunday, September 30, 2018
Saturday, September 20, 2008 - Sunday, January 18, 2009
Wednesday, September 8, 2021 - Wednesday, June 15, 2022
Saturday, October 3, 2009 - Sunday, March 28, 2010
Saturday, March 12, 2016 - Sunday, July 31, 2016
Saturday, February 8, 2020 - Sunday, May 17, 2020
Tuesday, September 05, 2017 - Sunday, January 07, 2018
Wednesday, September 1, 2021 - Sunday, October 17, 2021